摘要
中国当代版画的进步体现在对创作主题的理解、对审美观念的更新、对本体语言的把握和对画面构成的拓展。因为对主题的认识更开阔、更深入,所以有了新的表现欲望;因为对版画审美观念的更新,所以有了新的表现意识;因为对版画本体语言的深研,所以有了新的表现语言;因为对画面构成关系的变革,所以有了新的表现特点。此次百家金陵版画展为这几个方面的变化提供了展示的平台,无论是典藏、收藏作品,还是入选作品,都见证了中国当代青年版画家在盛世动人的行旅与印迹。
The progress of contemporary Chinese print is reflected in the understanding of themes,the evolution of aesthetic concepts,the grasp of painting language and the expansion of composition.Broader,deeper understanding of themes generates new desires of expression;the evolution of aesthetic concepts of prints creates new awareness of expression;the in-depth study of print language gives birth to new expression language;and changes in composition bring new expression characteristics.This Exhibition provides a platform to demonstrate the aforementioned changes.Be it collected artworks,or selected artworks,they all have witnessed the moving journey and imprints of young print artists in this golden age.
作者
代大权
Dai Daquan(the Print Art Committee,China Artists Association)
出处
《美术》
CSSCI
北大核心
2024年第3期26-33,F0002,F0004,共10页
Art Magazine
关键词
中国百家金陵画展
版画
创作主题
审美观念
本体语言
Art Exhibition in Nanjing China
prints
creation themes
aesthetic concepts
painting language
