《乌鸦》是19世纪美国浪漫主义时期杰出诗人埃德加·爱伦·坡(Edgar Allan Poe)的经典作品。目前学界对《乌鸦》的研究主要从意象、音韵、文学性、忧郁气质等方面展开,尚未从文学文体学的视角探究其情感表征。文学文体学指通过...《乌鸦》是19世纪美国浪漫主义时期杰出诗人埃德加·爱伦·坡(Edgar Allan Poe)的经典作品。目前学界对《乌鸦》的研究主要从意象、音韵、文学性、忧郁气质等方面展开,尚未从文学文体学的视角探究其情感表征。文学文体学指通过分析文学文本中语言形式,阐释文学文本的艺术价值、思想情感与美学意蕴。作为文学研究的重要视角,情感表征研究是理解与阐释文学作品的关键。基于文学文体学的细致分析,从语音、词汇、句法等维度的前景化探讨诗人深邃的内心世界:对亡妻的绵长思念与无尽眷恋,对现实困境无助与彷徨的生命体验,对未来的迷茫与焦虑的情感表达。文学文体学视角下《乌鸦》的情感表征研究将进一步推动爱伦·坡在国内的研究。展开更多
Scholars have studied The Snows of Kilimanjaro from different angles, but few have focused on the stylistic features of it. If approaching The Snows of Kilimanjaro from the perspective of literary stylistics, readers ...Scholars have studied The Snows of Kilimanjaro from different angles, but few have focused on the stylistic features of it. If approaching The Snows of Kilimanjaro from the perspective of literary stylistics, readers will find the following: The fiction seems fragmented and difficult to understand, but the employment of repetition, parallelism, symbolism, metaphor, pun, oxymoron and stream of consciousness technique makes it a unified whole. The repetition of"death"by Harry himself and the use of symbolism lead readers to understand the final ending of Harry: death out of gangrene. Also, through repetition, a character that has no love and who regrets over his waste of talent is presented to the readers. The use of stream of consciousness technique provides readers with a window into Harry's past life and his deeply poignant personal regret. Harry has the potentiality to make achievements in writing, but he, disillusioned by war, wasted his talent due to lying, laziness, incontinence, and indulgence in comfort life. He had died spiritually even before he got infected. The rescue by the plane is just Harry's illusion, and the rebirth of him may only be the author or the readers'expectation.展开更多
This paper argues that the fullest and most convincing analysis of literary texts is informed by bottom up stylistics.Stylistics is a way to begin to tackle the large issues literary texts raise but without jumping to...This paper argues that the fullest and most convincing analysis of literary texts is informed by bottom up stylistics.Stylistics is a way to begin to tackle the large issues literary texts raise but without jumping to premature or incomplete conclusions.It is also argued after Short(1996)and others that stylistics offers valuable apprenticeship and access to otherwise difficult areas of literary criticism for those new to the field.Stylistics and literary criticism are seen not as exclusive or necessarily contradictory approaches but rather as benefiting each other.Stylistics for example needs to be unafraid of the large and genuinely interesting questions as well as to read with more of a sense of the history of the texts it reads.At the same time literary critics need to avoid repetitive generalisations about gender,power and the rest.Examples of best practice in bringing literary criticism into dialogue with stylistics are offered from the work of Sotirova(2011) and Gavins(2012).展开更多
文摘《乌鸦》是19世纪美国浪漫主义时期杰出诗人埃德加·爱伦·坡(Edgar Allan Poe)的经典作品。目前学界对《乌鸦》的研究主要从意象、音韵、文学性、忧郁气质等方面展开,尚未从文学文体学的视角探究其情感表征。文学文体学指通过分析文学文本中语言形式,阐释文学文本的艺术价值、思想情感与美学意蕴。作为文学研究的重要视角,情感表征研究是理解与阐释文学作品的关键。基于文学文体学的细致分析,从语音、词汇、句法等维度的前景化探讨诗人深邃的内心世界:对亡妻的绵长思念与无尽眷恋,对现实困境无助与彷徨的生命体验,对未来的迷茫与焦虑的情感表达。文学文体学视角下《乌鸦》的情感表征研究将进一步推动爱伦·坡在国内的研究。
文摘Scholars have studied The Snows of Kilimanjaro from different angles, but few have focused on the stylistic features of it. If approaching The Snows of Kilimanjaro from the perspective of literary stylistics, readers will find the following: The fiction seems fragmented and difficult to understand, but the employment of repetition, parallelism, symbolism, metaphor, pun, oxymoron and stream of consciousness technique makes it a unified whole. The repetition of"death"by Harry himself and the use of symbolism lead readers to understand the final ending of Harry: death out of gangrene. Also, through repetition, a character that has no love and who regrets over his waste of talent is presented to the readers. The use of stream of consciousness technique provides readers with a window into Harry's past life and his deeply poignant personal regret. Harry has the potentiality to make achievements in writing, but he, disillusioned by war, wasted his talent due to lying, laziness, incontinence, and indulgence in comfort life. He had died spiritually even before he got infected. The rescue by the plane is just Harry's illusion, and the rebirth of him may only be the author or the readers'expectation.
文摘This paper argues that the fullest and most convincing analysis of literary texts is informed by bottom up stylistics.Stylistics is a way to begin to tackle the large issues literary texts raise but without jumping to premature or incomplete conclusions.It is also argued after Short(1996)and others that stylistics offers valuable apprenticeship and access to otherwise difficult areas of literary criticism for those new to the field.Stylistics and literary criticism are seen not as exclusive or necessarily contradictory approaches but rather as benefiting each other.Stylistics for example needs to be unafraid of the large and genuinely interesting questions as well as to read with more of a sense of the history of the texts it reads.At the same time literary critics need to avoid repetitive generalisations about gender,power and the rest.Examples of best practice in bringing literary criticism into dialogue with stylistics are offered from the work of Sotirova(2011) and Gavins(2012).
