This article focuses on the intersection of English-language scholarship between the history of publishing and the history of medicine in Imperial China.As an important part of cultural and social history,both topics ...This article focuses on the intersection of English-language scholarship between the history of publishing and the history of medicine in Imperial China.As an important part of cultural and social history,both topics have attracted attention from a number of historians.This article contains three sections.The first section introduces the evolution of Chinese book and publishing history in recent years and examines what book historians have done in relation to traditional Chinese medicine.The second section explores how medical historians have considered the role of printing in the history of Chinese medicine and the ways in which medical publications were used as primary sources or subjects of research.The third section explores scholarship on medical epistemic genres,a subfield of medical history,in Chinese medicine,specifically focusing on medical case histories and recipes from the comparative and cross-cultural perspectives.Finally,the conclusion explores potential future directions from the integration of Chinese publishing history and medical history.展开更多
This article examines the literary imaginations of the White Pagoda and demonstrates a shift in its representation from a metaphor for the Song court＇s fate to a fantastic site for the subjugation of unworldly beings...This article examines the literary imaginations of the White Pagoda and demonstrates a shift in its representation from a metaphor for the Song court＇s fate to a fantastic site for the subjugation of unworldly beings. In the late thirteenth century, the Yuan-appointed Tibetan Buddhist monk Yang Lianzhenjia exhumed the imperial mausoleums of the defeated Southern Song, built the White Pagoda on the site of the old Southern Song palace in Hangzhou, and interred the exhumed bones under it. Enthusiastic Song loyalists thus considered the White Pagoda to be a symbol of a humiliating past in which the Mongol Yuan dynasty occupied the south. Meanwhile, Qu You, an early-Ming writer from Hangzhou, began to imagine that the White Pagoda served to pacify the innocent, lonely dead who died during the Song-Yuan social disturbance. Investigating the discourse of the early Ming literati in regard to the pagoda site and the supernatural in early Ming Hangzhou leads to the conclusion that the literary imagination of the White Pagoda would have also contributed to the development of the White Snake Legend, where a white serpent spirit was subdued under Thunder Peak Pagoda in Hangzhou.展开更多
文摘This article focuses on the intersection of English-language scholarship between the history of publishing and the history of medicine in Imperial China.As an important part of cultural and social history,both topics have attracted attention from a number of historians.This article contains three sections.The first section introduces the evolution of Chinese book and publishing history in recent years and examines what book historians have done in relation to traditional Chinese medicine.The second section explores how medical historians have considered the role of printing in the history of Chinese medicine and the ways in which medical publications were used as primary sources or subjects of research.The third section explores scholarship on medical epistemic genres,a subfield of medical history,in Chinese medicine,specifically focusing on medical case histories and recipes from the comparative and cross-cultural perspectives.Finally,the conclusion explores potential future directions from the integration of Chinese publishing history and medical history.
文摘This article examines the literary imaginations of the White Pagoda and demonstrates a shift in its representation from a metaphor for the Song court＇s fate to a fantastic site for the subjugation of unworldly beings. In the late thirteenth century, the Yuan-appointed Tibetan Buddhist monk Yang Lianzhenjia exhumed the imperial mausoleums of the defeated Southern Song, built the White Pagoda on the site of the old Southern Song palace in Hangzhou, and interred the exhumed bones under it. Enthusiastic Song loyalists thus considered the White Pagoda to be a symbol of a humiliating past in which the Mongol Yuan dynasty occupied the south. Meanwhile, Qu You, an early-Ming writer from Hangzhou, began to imagine that the White Pagoda served to pacify the innocent, lonely dead who died during the Song-Yuan social disturbance. Investigating the discourse of the early Ming literati in regard to the pagoda site and the supernatural in early Ming Hangzhou leads to the conclusion that the literary imagination of the White Pagoda would have also contributed to the development of the White Snake Legend, where a white serpent spirit was subdued under Thunder Peak Pagoda in Hangzhou.
