设计与实现面向领域应用的交互式信息可视化软件十分困难.缺乏统一的开发方法与支撑工具箱,为非专家用户提供对层次、网络、多维等数据类型的统一支持,对各种可视化技术与交互技术的统一支持,以及对信息可视化任务的统一支持针对此问题...设计与实现面向领域应用的交互式信息可视化软件十分困难.缺乏统一的开发方法与支撑工具箱,为非专家用户提供对层次、网络、多维等数据类型的统一支持,对各种可视化技术与交互技术的统一支持,以及对信息可视化任务的统一支持针对此问题,提出了一种模型驱动的交互式信息可视化开发方法Daisy.首先,提出了交互式信息可视化界面模型IIVM(interactive information visualization interface model);然后,提出了基于IIVM的交互式信息可视化开发方法Daisy,讨论了该方法的两个核心技术:IIVM建模与描述文件生成方法、系统自动生成方法.同时。给出了Daisy工具箱,包括Daisy建模工具、Daisy系统自动生成工具以及运行时框架与组件库.最后,给出了该开发方法与工具箱的应用实例.实例表明,该方法能够为交互式信息可视化开发的统一支撑方法问题提供一种有效的解决方案.展开更多
Videogames feature non-player-characters. Such ingame entities are controlled by artificial intelligence that is sought to match the user＇s skill. Defining and understanding the given human-computer-interaction video...Videogames feature non-player-characters. Such ingame entities are controlled by artificial intelligence that is sought to match the user＇s skill. Defining and understanding the given human-computer-interaction videogame genres can be differentiated in either competitive matches or coherent plays. While artificial intelligence answers in responsive patterns only, natural intelligence holds creative qualities. A match is a game that creates suspense over the question of who is going to prevail. It can thus only be a game that features competing human players, since a computerized opponent is unaware of the game＇s significance. The nature of the match lies within the interactive trial. In a play, however, there is no battle but only cooperation. The aesthetics of such a play unfold to the audience, its purpose is showing rather than experiencing and/or competitively interacting. Artificial intelligence is then a surrogate that is often used in videogames to create an illusion of competition or battle. Its actual purpose is not to feature a worthy opponent, but to be a programmatic loser. In narrative and linear videogames, such as AI takes the role of a supporting actor whose function in the plot is, to signalize the player＇s dominance.展开更多
实体界面(Tangible User Interface,TUI)作为交互装置与受众的交互媒介、现实世界与数字世界之边界,直接影响受众审美体验。从受众审美体验出发,探讨交互装置中的实体界面设计策略。首先,将受众对交互装置的审美体验过程分为知觉、触发...实体界面(Tangible User Interface,TUI)作为交互装置与受众的交互媒介、现实世界与数字世界之边界,直接影响受众审美体验。从受众审美体验出发,探讨交互装置中的实体界面设计策略。首先,将受众对交互装置的审美体验过程分为知觉、触发、反馈三个阶段,总结出知觉在先、触发的无目的性及体验的合目的性特征;其次,根据以上特征,分析良好的交互装置审美体验所依赖的实体界面条件。根据交互装置的审美体验特征及其实体界面所创条件,提出制造信息线索、引入恰当隐喻、排除交互障碍三个设计策略。从受众审美体验出发,结合实体界面的特征及优势,为改善交互装置审美体验提供思路。展开更多
文摘设计与实现面向领域应用的交互式信息可视化软件十分困难.缺乏统一的开发方法与支撑工具箱,为非专家用户提供对层次、网络、多维等数据类型的统一支持,对各种可视化技术与交互技术的统一支持,以及对信息可视化任务的统一支持针对此问题,提出了一种模型驱动的交互式信息可视化开发方法Daisy.首先,提出了交互式信息可视化界面模型IIVM(interactive information visualization interface model);然后,提出了基于IIVM的交互式信息可视化开发方法Daisy,讨论了该方法的两个核心技术:IIVM建模与描述文件生成方法、系统自动生成方法.同时。给出了Daisy工具箱,包括Daisy建模工具、Daisy系统自动生成工具以及运行时框架与组件库.最后,给出了该开发方法与工具箱的应用实例.实例表明,该方法能够为交互式信息可视化开发的统一支撑方法问题提供一种有效的解决方案.
基金SuppoSed by the National Natural Science Foundation of China under Grant Nos.6067319560703078(国家自然科学基金)+2 种基金the National High-Tech Research and Development Plan of China under Grant No.2007AA04Z113(国家高技术研究发展计划(863))the National Basic Research Program of China under Grant No.2006CB303105(国家重点基础研究发展规划(973))the National Key Technology R&D Program of China under Grant No.2006BAF01A17(国家科技支撑计划)
文摘Videogames feature non-player-characters. Such ingame entities are controlled by artificial intelligence that is sought to match the user＇s skill. Defining and understanding the given human-computer-interaction videogame genres can be differentiated in either competitive matches or coherent plays. While artificial intelligence answers in responsive patterns only, natural intelligence holds creative qualities. A match is a game that creates suspense over the question of who is going to prevail. It can thus only be a game that features competing human players, since a computerized opponent is unaware of the game＇s significance. The nature of the match lies within the interactive trial. In a play, however, there is no battle but only cooperation. The aesthetics of such a play unfold to the audience, its purpose is showing rather than experiencing and/or competitively interacting. Artificial intelligence is then a surrogate that is often used in videogames to create an illusion of competition or battle. Its actual purpose is not to feature a worthy opponent, but to be a programmatic loser. In narrative and linear videogames, such as AI takes the role of a supporting actor whose function in the plot is, to signalize the player＇s dominance.
文摘实体界面(Tangible User Interface,TUI)作为交互装置与受众的交互媒介、现实世界与数字世界之边界,直接影响受众审美体验。从受众审美体验出发,探讨交互装置中的实体界面设计策略。首先,将受众对交互装置的审美体验过程分为知觉、触发、反馈三个阶段,总结出知觉在先、触发的无目的性及体验的合目的性特征;其次,根据以上特征,分析良好的交互装置审美体验所依赖的实体界面条件。根据交互装置的审美体验特征及其实体界面所创条件,提出制造信息线索、引入恰当隐喻、排除交互障碍三个设计策略。从受众审美体验出发,结合实体界面的特征及优势,为改善交互装置审美体验提供思路。
