本文从女性主义叙事学理论家苏珊·兰瑟(Susan Lanser)有关叙述声音模式划分的理论,这一较新的视角来解读美国著名犹太女性作家蒂莉·奥尔森(Tillie Olsen)的代表小说《我站在这儿熨烫》(I Stand Here Ironing),分析了奥尔森作...本文从女性主义叙事学理论家苏珊·兰瑟(Susan Lanser)有关叙述声音模式划分的理论,这一较新的视角来解读美国著名犹太女性作家蒂莉·奥尔森(Tillie Olsen)的代表小说《我站在这儿熨烫》(I Stand Here Ironing),分析了奥尔森作品中出现的不同声音模式。为了让边缘母亲作为一整体在主流文化圈中树立起"话语权威",奥尔森通过多种叙述声音模式相结合,将普通边缘劳动母亲这一群体从沉默中解脱出来,使她们的沉默心声得以展现,达到颠覆。从女性主义叙事学的角度看,奥尔森作品中的边缘妇女已成功实现了"话语权威"。展开更多
IN May of 1996, Women’s Media Monitoring Network was set up in Beijing. The organization was established on the commemorative convention for the 10th anniversary of The Capital Female Journalists Association, aiming ...IN May of 1996, Women’s Media Monitoring Network was set up in Beijing. The organization was established on the commemorative convention for the 10th anniversary of The Capital Female Journalists Association, aiming to open women’s eyes and discover their voice in mass media. Just one year after its establishment, the Network aroused extensive attention展开更多
文摘本文从女性主义叙事学理论家苏珊·兰瑟(Susan Lanser)有关叙述声音模式划分的理论,这一较新的视角来解读美国著名犹太女性作家蒂莉·奥尔森(Tillie Olsen)的代表小说《我站在这儿熨烫》(I Stand Here Ironing),分析了奥尔森作品中出现的不同声音模式。为了让边缘母亲作为一整体在主流文化圈中树立起"话语权威",奥尔森通过多种叙述声音模式相结合,将普通边缘劳动母亲这一群体从沉默中解脱出来,使她们的沉默心声得以展现,达到颠覆。从女性主义叙事学的角度看,奥尔森作品中的边缘妇女已成功实现了"话语权威"。
文摘IN May of 1996, Women’s Media Monitoring Network was set up in Beijing. The organization was established on the commemorative convention for the 10th anniversary of The Capital Female Journalists Association, aiming to open women’s eyes and discover their voice in mass media. Just one year after its establishment, the Network aroused extensive attention
