摘要
以敦煌莫高窟中莲花纹样为例,探究其造型及风格特点的演变史,归纳文化碰撞对纹样影响的规律,为现代纹样的设计方式方法提供参考,促进纹样装饰领域的创新设计。以印度文化对敦煌的影响为例,通过图像分析法和文献考证法,进行历时分析,研究印度与中国本土原生的莲花纹样特征。结合例证法和归纳法,将敦煌莫高窟莲花纹样的造型特征进行解构分析,归类总结为四大类。对比敦煌及两国原生莲花纹样的图案特征,结合三者同异,运用形状文法设计法则,概括多元文化影响下纹样设计的应用方法。
Taking the lotus pattern in the Mogao Grottoes of Dunhuang as an example, this paper explores the evolution history of its shape and style characteristics, summarizes the laws of the impact of cultural collision on patterns, provides reference for the design methods of modern patterns, and promotes innovative design in the field of pattern decoration. Taking the influence of Indian culture on Dunhuang as an example, a diachronic analysis was conducted through image analysis and literature research to study the characteristics of lotus patterns native to India and China. With the method of illustration and induction, the modeling characteristics of lotus patterns in the Mogao Grottoes of Dunhuang are analyzed and classified into four categories. Comparing the pattern characteristics of native lotus patterns in Dunhuang and two countries, combining their similarities and differences, and using shape grammar design principles, the paper summarized the application methods of pattern design under the influence of multiculturalism.
