摘要
厌女作为性别不平等的动力之一,承载着父权文化对女性的偏见、要求与非难,它具体表现为“绝不将女人视为与男性同等的性的主体,而是将女人客体化、他者化。”同时,以两性关系为基础的性别文化则是文学文本无法回避的语境,基于此,小说叙事中呈现的厌女意识和行动可被概称为厌女叙事。隐匿于女性写作之中的厌女叙事,并不显眼,却异常坚固,以女性的声音,揭示女性在父权文化下的真实生存状态,书写女性自我厌弃的现实。为深入阐释和发掘厌女叙事为建立女性文化作出的“建设”工作,以严歌苓的《扶桑》为中心,结合文本细读与性别研究的方法,分析女性写作中的厌女叙事的表现方式及意义。
Misogyny, as one of the driving forces of gender inequality, bears the prejudice, requirement and condemnation of women by patriarchal culture. It is embodied in “never treating women as the same sex subject as men, but objectifying and otherizing women”. At the same time, gender culture based on gender relations is an unavoidable context for literary texts. Based on this, misogyny consciousness and action presented in the narration of novels can be called misogyny narration. Misogyny narration hidden in feminine writing is not obvious, but it is very strong. It reveals the real living state of women in the patriarchal culture with voice that made by women, and describes the reality of women’s self-loathing. In order to deeply explain and explore the “construction” work of misogyny narration for the establishment of female culture, this paper analyzes the expression and significance of misogyny narration in female writing by taking Fusang by Yan Geling as the investigation object and combining the method of text close reading and gender research.
出处
《世界文学研究》
2022年第3期412-420,共9页
World Literature Studies
