摘要
吞口,是我国民间的一种辟邪物,其历史悠久,文化底蕴丰厚,主要流传于我国南部及西南部少数民族聚居区,但在北方汉族区域也有出现。随着历史的推移,各民族、地区逐渐形成独具本地特色的吞口形象,但其辟邪、纳吉的使用功能却从未改变。它是物质化的神灵象征,作为一种精神支柱,守卫着我国先民几千年的平安,是众多民族坚实的民俗信仰。本文以吞口为主要研究对象,通过对目前学术界相关研究的梳理与分析,从起源、功能、形象三方面,探究我国的吞口艺术。
Mouth Swallowing Art is a folk exorcism in China, with a long history and rich cultural heritage. It is mainly passed down in ethnic minority areas in the south and southwest of China, but it also ap-pears in Han ethnic areas in the north. With the passage of history, various ethnic groups and re-gions have gradually formed unique local swallowing images, but their functions in warding off evil spirits and promoting good fortune have never changed. It is a materialistic symbol of deities, serv-ing as a spiritual pillar to safeguard the safety of our ancestors for thousands of years, and is a solid folk belief of many ethnic groups. This article takes swallowing as the main research object, and ex-plores the art of swallowing in China from three aspects: origin, function, and image, through sorting and analyzing relevant research in the current academic community.
出处
《艺术研究快报》
2023年第4期415-419,共5页
Art Research Letters
