摘要
晋西北山曲、陕北信天游、内蒙古原绥远地区的爬山歌，体例相同，词曲相近，共同构成我国北方单独的一个民歌圈，其生成与清代民国时期的“走西口”移民运动密切相关。在“走西口”过程中，晋西北、陕北人口大批向河套及大青山前后地区移居，形成以山西河曲、保德人和陕西府谷、神木、榆林人为核心的“河府移民圈”，人口同源支持了民歌共性。长盛不衰的雁行式“走西口”生活，不断刺激着民歌的创造与发达，使三地民歌的交汇共生走向高潮，在发展中推动了三地民歌的同质化过程。
Shanqu prevailing in the northwest of Shanxi and Xintianyou in the north of Shannxi and Pashange in former Suiyuan region of inner Mongolia are the same in style and have similar words and tones.They combine to form a single folksong circle in the north of China,which is closely related to the migration sports of Going-west emerging in the period of the Qing Dynasty and the Republic of China.Along with the emigration of the people in the northwest of Shanxi and Shanbei to Hetao and Big Qingshan,a Hefu migration ring mainly including Hequ,Baode,Fugu,Shenmu and Yulin people is formed.The people of the same origin created common folksong and the continuous wild goose-style Going-west sports stimulate the creation,booming and homogeneity of the folksongs in these regions.
出处
《西北民族研究》
CSSCI
北大核心
2004年第2期157-174,共18页
Journal of Northwestern Ethnic Studies
