摘要
在现象学的视域中,民间工艺的审美关切民族的历史性此在,民间工艺品聚集了天地人与信仰旨趣。同时,实用性遮蔽了作品自身。在对传统审美要素的超越和对实用性的克服的基础上,作品才能通达存在自身,一个生存的世界才得以敞开。
In the phenomenological horizon, the appreciation of the beauty of folk craft relates to historical Dasein of nations. The work of folk craft gathers sky、earth、human and faith interest. But its practicality covers the work itself. On the basis of surpassing the classical esthetic elements and overcoming the practicality, the work can reach Being itself, a world of existence can be uncovered.
出处
《武汉科技学院学报》
2004年第2期27-31,共5页
Journal of Wuhan Institute of Science and Technology
基金
湖北省教育厅重点项目(项目编号:2002A29011).
