摘要
曹禺的剧作《原野》通过一个复仇的命运悲剧故事 ,深刻地展示出作家对“人生困境”的困惑以及对神秘宇宙的哲学思考。为了戏剧化地传达这种认识 ,《原野》借鉴了西方表现主义的艺术手段 ,并结合本民族的欣赏习惯 ,成功地对戏剧文本的叙述方式进行了新的探索。
Cao Yu's play Open Country is a tragic story about fate after revenge,profoundly exposing the playwright's perplexity of 'predicament in life' and his philosophical thinking of the mysterious universe. Open Country dramatizes Cao Yu's thinking by taking as reference the artistic approach of expressionism to literary creation in combination with the national habit of appreciation,and explores sucessfully for a new way in the narration of plays.
出处
《广西师范大学学报（哲学社会科学版）》
2004年第2期55-58,共4页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
《原野》
命运
生存困境
叙述空间
Open Country
fate
predicament in life
narration scope
