摘要
玻璃胎画珐琅为我国首创的工艺品种。几十年来,对于它的创始时间、历史发展、官造与民造的界限、工艺名称等众说纷纭。本文依据多种文献和清宫造办处的“活计档”结合作者多年来对实物的观察研究,论述了它在宫廷内创始、发展和终止的概况,并对官造的数量、品种、艺术特色等作了较为全面的考析。同时,对“古月轩”款的作品也作了一定的探讨。
Glass - body painted enamel is a handicraft originated in China. Over several decades, opinions vary regarding its beginning time, historical development, difference between official and civil makings, appropriate name, etc. This essay combines many historical documents, including the Qing imperial workshops' Huoji Dang (Handicraft Documents), with the author's observation and study of objects in many years. It discusses the general situation of its start, development and end in the imperial palace, makes a comprehensive study and analysis of those official - made objects' quantity, types and artistic features as well as approaches the works inscribed with 'Guyue Xuan'.
出处
《故宫博物院院刊》
北大核心
2003年第3期16-23,C006-C008,共11页
Palace Museum Journal
关键词
玻璃胎画珐琅
创始年代
清朝
造办处
官造器物
古月轩
glass - body painted enamel, Prince Yi, Guyue Xuan, official making, glass workshop, Huoji Dang (Handicraft Documents), enamel workshop, imperial workshops
