摘要
论文以作为类型的中国早期喜剧片为观照对象,相对全面而又系统地描述1905年至1949年间中国喜剧电影的发展脉络,力图细致而又深入地阐发中国早期喜剧片的类型意识、市场策略及其艺术特征和文化蕴涵。总的来看,在20世纪上半叶中国独特的政治、军事、经济和文化语境中,在以法国和好莱坞为代表的西方喜剧类型电影的影响下,作为类型的中国早期喜剧片,从民族喜剧影像的发生,经过笑闹滑稽传统的建立,到人文批判视域的拓展,走过了一条从幼稚到成熟,从半封建半殖民属性向深厚的民族文化精神掘进的道路,并以其一以贯之的时事讥讽、悲剧情调和平民意识,形成中国早期喜剧片独特的民族风格。
By focusing on the early Chinese comic films, this paper attempts to trace thoroughly and sys-
tematically the development of Chinese comic films from 1905 to 1949. probing into the category con-
sciousness, marketing strategies, artistic traits and cultural implicatures of early Chinese comic films.
Generally speaking, in the context of unique Chinese politics, military affairs, economy and culture in the
late 20th century and under the impact of the western comic films represented by those of France and Hol-
lywood, the early Chinese comic films have undergone the process of developing from naivety to maturity,
thus having been colored by its persistent national character of lashing at social vices, tragic sentiment and
the consciousness of the populace.
关键词
类型片
喜剧片
滑稽片
中国早期电影
民族喜剧影像
笑闹滑稽传统
categorized films
comic films
farcical films
early Chinese films
national comic images
comical and farcical tradition
