摘要
余华小说创作以《在细雨中呼喊》标志着一种转向,其前后作品呈现出迥然不同的艺术风貌与审美趣味。一个作家在短短的创作生涯内为什么会发生这么一次大断裂,是值得思索和探究的。经过仔细审视和分析,可以发现余华前期作品创作很大程度上是一种自我的精神救赎,是对童年时代创伤的疗救,起始多是以幻想的、夸张的、闪闪烁烁的方式,至《在细雨中呼喊》因赋予具体的生活细节而成功地实现了自我疗救,其后的创作则因主体性的迷失而使其作品徒具形式的迷幻与语言的狂欢而失去了动人心魄的力量。
Yu Hua's Novel Shouting in the Drizzle marks a change from his former works in the art and beauty appreciation. It is worth discussing why a writer changes himself within such a short time. After careful examination and analysis, it is found that Yu Hua's early works was to some extent a kind of spiritual self-rescue and a remedy for his childhood's injury. He used the ways of illusion, exaggeration and evasiveness. However, after he published his novel Shouting in the Drizzle his self-remedy has been achieved through concrete details of life. Because of the loss of main body, his writings have lost the moving forces only with the illusion form and the language of revelry.
