摘要
20世纪中国诗歌所经历的发展道路和在不同时期呈现的美学风貌,是基于两种相互冲突、相互借鉴的语言观———工具论和本体论,在不同历史语境中的实现程度。在当下的复杂语境中,诗歌语言如何在自我指涉和外在指涉之间寻求一个平衡点,重建现代汉语诗歌的价值维度,成了决定新世纪诗歌走向的关键所在。
The development trail of Chinese poetry in 20th century and their aesthetic style and feature during different periods are based on the realizing level in different historical linguistic position of two kinds of linguistic concepts --instrumentology and ontology, which are contradictory and drawn on each other.In the present complex position,it has become a key to leading the poetry's trend in a new century how the poet language seek for a balance point between self-relating and external relating,and rebuild value standard of Chinese poetry.
出处
《甘肃教育学院学报（社会科学版）》
2004年第2期36-39,共4页
Journal of Gansu Education College(Social Sciences)
