摘要
作为德国当下最重要的导演之一,文德斯自出道以来就以其连续而有序的创作活跃在当今世界的影像舞台上,其中关于公路片的执着探索成为赞不绝口的佳话。对文氏公路片中最有代表性的文本《德克萨斯州的巴黎》和《欲望之翼》精细解析,考察文氏的影像风格,以完整地呈现这位影像哲学家的艺术思想和创作风貌。
As one of the most important film directors in Germany, Wim Wenders has been active on the present image stage because of his continuous and sequent creation activities. Among his works the road movie, which he has been devoting to, is praised unceasingly. The author detailedly analyzes the most representative film texts of Wenders'road movies as 'Paris, Texas' and 'Wings of Desires' and studies Wenders' image style. Thus we can completely see the artistic thought and creation style of Wenders, the image philosopher.
出处
《贵州大学学报（艺术版）》
2003年第3期22-25,32,共5页
Journal of Guizhou University Art Edition
关键词
公路片
新德国电影运动
镜语体系
road movies
new German film movement
system of lens'language
