摘要
诗歌与情感的关系问题,是中国诗学理论中的一个重要命题。西晋诗人陆机在他的《文赋》中提出了“诗缘情而绮靡”的著名观点,既反映了时代的风尚,也为中国古代文论的发展开启了一片新的天地。从诗歌美学的角度对此予以阐释,可以发现,陆机的这一观点,揭示了诗歌在创作背景层面、物我关系层面、语言层面等均与诗人的内在感情有着不可分割的联系。这就为文学表情论的确立,打下了坚实的理论基础。
It is an important proposition in Chimese poetry theory on the relqtion problem between poetry and emotion. Lu Ji, a poet living in the Western Dynasty, advanced a famous point of 'poetry originates emotion'. It is not only reflecting the age prevailing custom, but also devloping a new space for the literature theory of ancient times. The Lu Ji's point brought to light can' t the break up contact between the poet emotion and the create background, language and etc from explain of the poety aesthetic. It establishes the firm and solid base for the facial expressions theory of literature.
出处
《北京青年政治学院学报》
2003年第3期68-71,共4页
Journal of Beijing Youth Politics College
