摘要
文章从行动是表演艺术的本质特征入手,阐述了要想直接掌握角色的情感,那时毫无希望的。规定情境是行动存在的根本条件,角色只能通过行动在规定情境中产生。规定情境是演员组织舞台行动的惟一依据,这是被艺术创作的规律所决定的。
This article is a study of the relationship between compulsory circumstances and actors' stage actions. As far as the essence of acting is concerned, it is impossible for an actor to fully understand a character' s feelings if he cannot understand correctly the compulsory circumstances in which these feelings are produced. Compulsory circumstances are the only bases of actors'stage actions This has also been proved by the history of artistic creation.
出处
《新疆艺术学院学报》
2004年第1期40-43,共4页
Journal of Xinjiang Arts University
