摘要
由研究第五代电影人发展而成，并广泛被中国研究学者所采用的理论构架已不足以充分阐释第六代电影人的作品。这一代电影人不再满足于前代导演所呈现的历史与民俗想像，而是将当代城市空间和其年轻的承载者作为关照对象。
The basic theory developed in the studies of the fifth generation of film directors and adopted widely by Chinese scholars is no longer adequate for the young generation of film directors, whose works are more than the bleak pictures of Chinese history and Chinese countryside. In stead, the big cities and city youth in contemporary China become the inspirational sources for them.
出处
《上海大学学报（社会科学版）》
CSSCI
2004年第2期88-92,共5页
Journal of Shanghai University(Social Sciences Edition)
关键词
电影理论
电影导演
第六代导演
film theory
film directors
sixth film directors
