摘要
《百花齐放》和《红旗歌谣》的创作与编辑是郭沫若在大跃进年代最具代表性的诗歌活动。当时中国知识分子处于整体上被改造、文学创作失去自由的环境中。郭沫若虽然有着灵魂的挣扎与困惑,但从他参与的诗歌创作和编辑工作中看,其精神的主导面,不是疏离这种严酷的环境,而是顺应和强化着这种严酷的环境。
Writing and editing 'Hundred Flowers Blossom' and 'Red Flag Ballads' could be taken as Guo Mo-ruo's most typical activity of poetry in the era of great leap. The Chinese intellectuals at that time lived generally in such an environment that did not allow any creative freedom in literature and required much critical change in their mind. Although Guo had tried to escape from those conflicts of soul, his main side of mind was not any estrange from such a severe environment, but a certain adjustment, and even strengthening with regard to the environment.
出处
《中国青年政治学院学报》
CSSCI
2003年第3期120-124,共5页
Journal of China Youth College for Political Sciences
关键词
郭沫若
大跃进年代
诗歌活动
Guo Mo-ruo
era of great leap
poetic activity
