摘要
在宣化辽墓第3、6、7、10号墓壁画中,出现内容、画面构图、人物姿态及图像安排上几乎同出一辙的现象,本文通过细致地比对,归纳出五种活用粉本的方式及产生的原因,以此引发人们对古代画工工作模式的关注。
The frescoes in the No.3, 6, 7, 10 tombs take on almost the same appearance in terms of their contents,compositions, poses of the figures and the patterns. The thesis sums up the use of five kinds of copybooks and theirorigins, in the expectation of drawing attention to the working models of ancient painters.
出处
《南京艺术学院学报（美术与设计）》
2004年第1期36-39,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
