摘要
中国新文学的第一代作家,处于传统和现代、破和立之间,他们承受着历史重负,又寻找不到新的切实可行的人生道路。他们对世间普通男女的关注、自身所具有的软弱心理和所受的西方感伤主义文学思潮的影响,都从创作主体方面关涉了五四新文学的感伤气息。
Chinese writers of Gist generation in new vernacular literature lived in a period from traditional to modern, from breaking to founding. They bore heavy historical burden and failed to find new and realist road of life. Besides, their concern over ordinary men and women in the society; the weak mentality of their own; and the influence they received from sentimentalist trend of thought in Western literature are all related to sentimental flavour of May 4th new vernacular literature from the subjective side of creation.
出处
《华侨大学学报（哲学社会科学版）》
2003年第3期123-126,共4页
Journal of Huaqiao University(Philosophy & Social Sciences)
关键词
创作主体
感伤
现代意识
subject of creation
sentiment
modem consciousness
