摘要
第一位悲剧哲学家尼采,从希腊悲剧文化中提炼出悲剧艺术与悲剧精神,以此解读人生、诠释生命,从而把人的生命存在及其生活引向崇高的艺术审美境界之中。尼采赋艺术以形而上的性质,认为艺术与哲学同根,只有在艺术审美生存方式中,人与世界的存在才是合理的相互交融。从生存论的角度看,尼采的艺术哲学揭示了现实人的生存之美,即人的生命之美是生成的人生;人的诚实之美是道德的人生;人的艺术与科学交融之美是完整的人生。尼采开启并实现了哲学生存论与艺术审美论的完美结合。
The first tragic philosopher Nietzsche abstracts tragic art and spirit from the Greek tragic culture to explain human life, leads the existence of life to the lofty aesthetic state of art. He endows art with metaphysical qualities. He believes that art and philosophy share the same root, and only in the aesthetic state of art can human beings and the world have the reasonable ultimate value. From the theory of existence, his artistic philosophy displays the beauty of the existence of human beings in the reality, that is, the beauty of life lies in the generative life; the beauty of honesty lies in the moral life; the beauty of the combination of art and science forms the complete life. N discovered and realized the perfect combination of the theory of philosophical existence and the theory of artistic appreciation.
出处
《大连大学学报》
2003年第5期31-33,共3页
Journal of Dalian University
