摘要
"70后"作家张好好的长篇小说《布尔津光谱》,在关于新疆边地小城——布尔津的地方性叙事中,对一种可以被命名为"光谱"诗学的小说美学作出了可贵的艺术探索。"光谱"诗学不同于复调诗学,后者诉诸人物声音,是声调诗学;前者诉诸形象色彩,是色调诗学。二者都追求文本的"非中心化"或"多中心"叙事,都是对主流的人物或情节中心主义叙事模式的超越。但复调诗学或复调小说更多地强调人物声音的对立性和差异性,拒绝接受声音的同一性;而"光谱"诗学和"光谱"小说虽然也强调形象色彩的对立性和差异性,但同时也主张形象色彩在差异性背后具有同一性,因此更多地追求在传统与现代两种小说叙事模式上取得艺术平衡。这在以萧红的《呼兰河传》为代表的中国现当代散文化或诗化小说传统中有着鲜明的体现,而张好好的《布尔津光谱》则延续并发展了这种小说诗学。
The novel Burqin Spectrum(Buerjin Guangpu),written by ayoung writer Zhang Haohao,the generation of 1970 s,presents a localized narrative on Burqin,a small border city in Xinjiang,which has made a valuable artistic exploration of novel aesthetics,which is called 'spectrum'poetics.Unlike polyphonic poetics,apoetics of 'tone'that resorts to the appropriation of various voices of the characters in literary writing, 'spectrum'poetics is a poetics of 'hue',which relies on the image color.Both of them are prone to the 'decentralized'or 'polycentric'narratives which intend to surpass the mainstream narrative modes of character-centered or plot-centered.However,polyphonic poetics or polyphonic novels place greater emphasis on the contrariety and difference of the voices of the characters,but rejects the identical traits among them.Nevertheless, 'spectrum'poetics and 'spectrum'novels still insists on this identity in addition to the recognition of all contrariety and difference,and lay more stress on the balance between traditional and modern novel's narrative mode.In short,Zhang Haohao's Burqin Spectrum(Buerjin Guangpu)has further developed the concept of 'spectrum'poetics which can be situated in the trajectory of the tradition of Chinese modern and contemporary prose novels or poetic novels as represented by Xiao Hong's the Biography of Hulan River(Hulan He Zhuan).
出处
《中国文学批评》
2016年第1期109-115,128,共8页
Chinese Journal of Literary Criticism
