摘要
《三国演义》与《水浒传》堪称明清小说中的'结拜双典'。本文以作为历代风俗与社会现象的兄弟结拜为切入口,首先推源溯流,呈现出通俗小说史上历史演义(《三国演义》)、英雄传奇(《水浒传》)与世情小说(《金瓶梅》《歧路灯》)代兴背景之下,结拜叙事的互文状况与演变特点——着重体现在结拜者反目绝交的情节上;其次从情节叙事角度,挖掘出世情题材小说兄弟结拜描写的意义;最后通过梳理明清以来官方与民间对于结拜的舆论态度和观点主张,探讨了相关小说叙事的伦理价值。
The novels Three Kingdoms and Water Margin are considered as'Two Cannons of the theme'Becoming Sworn Brothers'in novels of the Ming and Qing Dynasties.By tracing the origin of such a theme in historical romance,chivalrous fictions and realistic novels,the paper intends to find the intertextuality and evolution of novels with this theme,the plots development,the meaning of'becoming sworn brothers'.Finally,through reviewing official and folk public attitudes and viewpoints of the Ming and Qing Dynasties,the paper attempts tp make an ethical evaluation of such narratives.
出处
《中国文化研究》
CSSCI
北大核心
2019年第2期130-140,共11页
Chinese Culture Research
基金
天津师范大学博士基金项目“中国古代小说伦理叙事新论”(项目编号043-135202WW1727)的阶段性成果
关键词
兄弟结拜
世情小说
叙事伦理
典范
'Becoming Sworn Brothers'
realistic novels
ethical narration
cannon
