摘要
当中国处于半殖民地半封建社会时期,上海作为中国最大的工商业城市,文人、画家纷纷聚集此地。画家们为了适应新兴市民阶层的需要,其作品在题材、内容、风格技巧等方面都形成了新的特色,上海画派由此形成。它经历了早、中,晚三个时期,女性画家吴淑娟就属于海派中期画家之一。她的作品常为兼工带写,刻画工整、细腻而又老辣。作品气魄雄厚,意境高远。她汲取了刚健雄强的金石艺术,又在外来艺术和传统基础上破格创新。她修养全面,常为人施,为后来画家树立了良好的榜样。正是吴淑娟这样的诸多海派画家,使没落衰败的清代绘画为之一振,海派艺术展现了近现代中国绘画的复兴,他们的艺术将永远散发着耀眼的光芒。
When China was in the semi-colonial and semi-feudal society time,Shanghai was the biggest industrial and commercial city,thus the writers and painters gathered here in abundance.In order to meet the emerging residential social stratum need,the painters’ work formed the new style in aspect of theme,content,and style skills,thus creating paintings of Shanghai style.This style experienced early,middle and late periods and woman artist Wu Shujuan was one of the Shanghai style painters in the middle period.Her work was neat,exquisite and vicious;The grandeur was abundant and the artistic mood was magnificent.She derived the gold stone art of being vigorous and powerful,and innovated in external art and traditional foundation.She had comprehensive self-cultivation and enjoyed doing charitable things,setting up a good example for the painters afterwards.Just because there were many painters in Shanghai style as Wu Shujuan,the declining drawing in Qing Dynasty emerged again,the Shanghai style art displayed China drawing’s revival in the near modern times and modern times.Their art will send out the shining brilliant rays forever.
出处
《湖北三峡职业技术学院学报》
2008年第2期44-47,共4页
Journal of Hubei Three Gorges Polytechnic
关键词
海派
吴淑娟
风格
意境
近现代中国绘画
Shanghai style in intermediate stage
neat
exquisite and vicious
abundant grandeur
magnificent artistic mood
