摘要
20世纪,著名的美国符号理论学家苏珊·朗格提出'生命形式',这是美学理论体系中的重要组成部分。苏珊·朗格认为好的艺术品必须要符合生命形式的基本特征。文章以王羲之书法作品为主题,运用苏珊·朗格对生命形式的逻辑归纳,试图从生命形式的特征,即节奏性、生长性、运动性、有机统一性方面分析说明书法艺术的生命形式,解析中国书法艺术的生命性,也为中国古代书画理论的发展提供可行的借鉴意义。
The 20 th century,Susan Langer,a famous American esthetician of semiotic theory,put forward life form,which is an important part of the aesthetic theory system.Susan Langer believes that successful works of art must conform to the basic characteristics of life forms.Taking Wang Xizhi’s work Preface to Lanting Collection as an example,this paper attempts to analyze the emotional experience and life form of calligraphy art from the characteristics of life form:rhythm,growth,movement and organic unity,and to analyze the life form of Chinese calligraphy art.It also provides a feasible research path for describing the theory of ancient Chinese painting and calligraphy.
作者
刘梅
Liu Mei(School of Art and Design,Wuhan University of Technolog,Wuhan 430070,China)
关键词
书法
生命形式理论
特征
苏珊·朗格
calligraphy
the life form theory
features
Susan Langer
