摘要
如今的学院版画课堂已不同于以往的传统模式.现在的学生们创作自由度极高,作品形式多样.但掌握精湛技艺的同时,我们更需要树立的是对于作品的内在的意识,即创作者对自我内心的把握.在一个看似纯粹自由的创作课堂里,前提仍然是确立这样一种观念——与"纯粹而自由的创作"这一呈现方式相匹配的表达,这是我们工作的要义.
The traditional teach均ing modes can't meet the new requirements of nowadays woodcut classroom teaching.Nowadays students have more freedom and forms in creation.While helping them grasp fine skills,the teachers should them grasp the internal consciousness of the works,the direction and exploration of the heart.In the seemly free and pure creation classroom,we should have a conception that the free and pure creation must have matching expression.
出处
《郧阳师范高等专科学校学报》
2014年第6期82-84,共3页
Journal of Yunyang Teachers College
关键词
版画
创作意识
技法运用
woodcut
creation consciousness
skill application
