摘要
《溪山行旅图》是中国画有史以来之第一幅巨帧,其画大气磅礴,沉雄高古,令观者无不为之倾倒。然而,其画并不是范宽对关、陕之地的一个单层平面的自然再现和摹写,而是画家平素精神涵养的萌发,是一种精神境界的深层创构。可以说,这幅画是“外师造化,中得心源”在宋代画坛上的一种完美的体现。
Traveling amid Mountains and Streams ' has been considered the first great work throughout the history of Chinese painting. It was great and momentous, weightily grand and primitively elegant. Thus all the people who have seen it are overwhelmed by it. Therefore, it was not the natural reappearance and the
copy of the single ichnography of the areas of Guan and Shan districts ( around Shanxi province--Northwest
China) , but it was the emergence from his spirit and culture and it was a deep creation of spirit realm. We may say that the painting is the consummate emergence of the saying 'advocate the nature and you will comprehend the esse.nce' in the painting circle of the Song Dynasty.
出处
《贵州大学学报（艺术版）》
2003年第4期87-89,共3页
Journal of Guizhou University Art Edition
关键词
范宽
绘画特点
画面布局
艺术风格
Fan Kuan
painting feature
plane layout
art feature
