摘要
本文是对“音乐批评学”系列中的“操作论”层面的探析。全文包括操作原理和操作程序两个部分。在操作原理中,对器乐、声乐、音乐戏剧、音乐事项这几个类别的批评法则,分别做出了解析;在操作程序中,对于如何寻找批评对象,如何分析批评对象,如何进行批评的书写等问题,做出了自己的探索与解答。对批评个性的培养、批评风格的形成等,也做出了一些探索。
This article is the analysis on the"operation" part of the music criticism. Two parts of operating principle and operating process are included. In the first part, the analysis is on the criticizing of the instrumental, vocal, music drama, music events; while in the second part on the criticizing ohject finding, analyzing and writing. The fostering of the criticizing character and style are also discussed.
出处
《天津音乐学院学报》
2003年第1期15-22,共8页
Journal of Tianjin Conservatory of Music
关键词
音乐批评学
操作原理
器乐批评
声乐批评
戏剧批评
事项批评
批评个性
批评风格
the study of music criticism music criticism operating principle instrumental musie criticizing vocal music criticizing drama criticizing event criticizing criticizing character criticizing style
