摘要
唐代诗人创作的七言绝句《凉州词》,是由融合了西域与中原乐曲的《凉州曲》而来,并成为唐代声诗的重要代表作品。但宋词创作兴盛之后,诗人们却不再创作具有边塞主题的声诗《凉州词》,从《凉州词》的由盛转衰可以说明严格意义上的声诗,其断代应该是在唐宋之际,其体裁则多是近体诗。这一早已被任半塘《唐声诗》所提出的观点,在《凉州词》创作中得到了进一步的印证。
The Liangzhou Ci, written by Tang Dynasty poets, composed of the Liangzhou song of Western Region and Central Chinese music and became a representative of the musical poems in the Tang Dynasty. After the creation of Ci in the Song Dynasty, poets no longer wrote Liangzhou Ci with the theme of the frontier, From its wax to wane, the musical poems in the strict sense can be said to be dated between the Tang and Song dynasties, the genre being more toward the modern style poems, which was discussed by Ren Ban-tong in The Musical Poems in the Tang Dynasty,and was further confirmed in Liangzhou Ci.
出处
《新疆大学学报（哲学社会科学版）》
CSSCI
2017年第6期99-104,共6页
Journal of Xinjiang University(Philosophy and Social Sciences)
关键词
凉州词
声诗
断代
《唐声诗》
Liangzhou Ci
Musical Poems
Dating
The Musical Poems in the Tang Dynasty
