摘要
科普兰在“实用音乐”—戏剧音乐时期还创作了一些为音乐厅听众而写的无标题的纯音乐作品,延续着他早期的一些创作风格。在这类纯音乐作品中,可以看到作曲家早期学习音乐时的教师戈德马克对他的影响。同时这些纯音乐作品仍或多或少流露出受到民间音乐影响的倾向。科普兰不仅是一个作曲家,还作为教师、音乐评论家、社会活动家、钢琴家、指挥家活动于社会。
In his 'Practical Music 'and drama music,Copland never forgets his ambition of writing great symphony in his early time.He wrote his biggest work Third symphony,and art song with modem conception.Copland is not only composer but also teach.music critic,social activist,pianist.conductor.
出处
《星海音乐学院学报》
2003年第2期12-16,共5页
Journal of Xinghai Conservatory of Music
