摘要
本文运用拉康关于镜子阶段的理论分析了李箱诗的镜像 ,李箱诗的一系列镜像通过内在于主体意识的想像和象征界的对立矛盾体现了对社会虚伪的伦理道德的否定和反抗意识。
This thesis is to analyse the mirrorred image of Li Xiang's poem according to the stage mirror theory of Lacan. Li's poems are full of the negating and opposing consciousness against the hypocritic ethic morality through a series of forms of contradictions between the imaginary of the internal consciousness and the symbolic.
出处
《西安外国语学院学报》
2003年第4期64-66,共3页
Journal of Xi'an Foreign Languages University
