摘要
中世纪史诗《尼伯龙人之歌》成书于中世纪欧洲宫廷文化盛期,Falke(隼)和Adler(鹰)是史诗中重要的动物形象。这两种动物不仅在生物分类上有区别,更重要的是,在中世纪欧洲宫廷文化的背景下,其背后的文化学内涵也大异其趣。文学作品对不同动物形象的使用,涉及当时的文学传统,其本质是形象背后文化意涵理解的问题。在该中古德语英雄史诗的语境下,鹰隼之辨反映的是中世纪欧洲宫廷文化在这两种动物形象上不同的投射。
The Falcon and Eagle are important animal images in the medieval German epic Das Nibelungenlied.These two animals not only differ in taxonomy,but more importantly,in the context of medieval European court culture,the cultural connotations behind them are quite different.The use of different animal images in literary works involves the literary traditions of the time,and its essence is the problem of understanding the cultural meaning behind the image.In the context of this medieval German heroic epic,to differentiate falke from adler,reflects the different projections of the medieval European court culture on these two animal images.
作者
史敏岳
Minyue Shi(School of Foreign Languages,Peking University,Beijing,China)
出处
《外国语言与文化》
2018年第4期35-43,共9页
Foreign Languages and Cultures
关键词
鹰隼
《尼伯龙人之歌》
中世纪宫廷文化
文化意涵
eagle falcon
Das Nibelungenlied
medieval European court culture
cultural meaning
