摘要
1907年发表于《太阳》杂志上的田山花袋的《少女病》讲述了一名中年男子由于喜爱在电车里偷窥少女因此走神不慎被挤出电车而毙命的故事。1990年《文学》杂志上日本知名学者对该小说进行了注释式解读,使小说中的电车、郊外、女学生等都市空间的文化符号得以显现出来。本文在先行研究的基础上,论述了小说中的电车如何从国民国家的载体空间变成男主人公对女性凝视的私人空间,并通过发掘隐含在文本中的近代国家"博览会视线",对男主人公的凝视行为进行了新的阐释。
In 1907, Girl Disease wrote by Katai Tayama and published in the magazine Sun told a story about a middleaged man who loved peeping young girls in the tram, and was so distracted that he was forced out of the tram and killed accidentally. It was interpreted in annotation style by Japanese well-known scholars in the magazine Literary in 1990, and made the tram, outskirts, female students and other cultural symbols of urban space in the novel to be revealed. Based on prior studies, this paper discusses how the tram transforms from the carrier space of the national state into a private space where the hero gazes the females. And by exploiting the modern state 'fair sight' implied in the text, it conducts a new interpretation of the gazing behaviour of the hero.
出处
《外语教育研究》
2015年第2期19-24,共6页
Foreign Language Education & Research
基金
2014年度大连外国语大学科研创新团队项目:"东北亚文学越境研究"
