摘要
作为对20世纪科学哲学领域影响深远的思想家,加斯东·巴什拉为何从科学哲学转向文艺学?他前期的科学研究与后期的诗学探索在其思想体系中是彼此断裂还是相互承续?至今是国内外学界热议的谜团,众说纷纭。实际上,巴什拉转向诗学理论研究,是时代使然;他对科学哲学的独特贡献也为其诗学思想奠定了基础;他早期的科学哲学"新认识论"中已蕴含了文艺学转向的可能性与必然性。
Why did Gaston Bachelard,a most significantly profound thinker who has a vital bearing on the scientific philosophy of the 20 th century,turn to the studies of literature and art during the second half of his research career? Bachelard never severs his early scientific research and his later exploration in poetics and makes an effort to combine the two periods. This still remains a mystery in the academia. Actually,due to the drastic change in scientific revolution at that time,the steering of Bachelard was inevitable. Furthermore,his innovation to the philosophy of science,'New Epistemology of Science',has laid the same foundation for his poetics.
出处
《外文研究》
2014年第3期59-64,106,共7页
Foreign Studies
基金
河南省哲学社会科学规划项目"巴什拉五部想象专著的‘诗’学研究"(2012BWX017)阶段性成果
