摘要
《西游记》本文中散布着大量全真教的术语、诗词等,并产生了一定程度的象喻功能;但它却是一部严格意义上的通俗小说,而且具有明显的贬抑道教的倾向。这种情况,是因为在《西游记》的成书过程中,曾经有过一个“全真化”的阶段,这个阶段不仅在本文中留下了诸多痕迹,也在明中后期的宝卷里呈露出种种影响。另外,全真教与说唱艺术也曾结缘,亦可作为它借演说故事传教的旁证。
There are a number of terms and poems of Quanzhen Jiao disseminated in The Pilgrimage towards the West, displaying in a sense the function of some metaphors; however, The Pilgrimage towards the West is strictly a kind of popular fiction with a vivid inclination of depreciating the Religious Taoism. Of course, one can find some clues of Quamhen Jiao in the course of the composition of The Pilgrimage towards the West. The affinity between Quanzhen Jiao and the popular art of 'relating and singing' is obvious as well, while The Pilgrimage towards the West was much influenced by the latter, especially the form of ' bao - juan'.
出处
《文学遗产》
CSSCI
北大核心
2003年第6期110-120,共11页
关键词
《西游记》
小说
全真教
民间宗教
象喻功能
说唱艺术
道教
内丹修炼术语
assimilated by Quanzhen Jiao, folk religion, folklore form of ' bao - juan ', relating and singing, the author of the final version
