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科学方法与纯舞蹈创作——A.T.D.姬尔斯美嘉舞蹈作品《鼓声》评析 被引量:1

Scientific Method and Pure Dance Creation:On Anne Teresa De Keersmaeker's Work Drumming
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摘要 舞蹈最初产生的原因,是人们运用其他方式无法表达内心强烈的感受,而以人的身体作为表现工具,借由舞蹈来抒发心中的情感与欲望。而比利时编舞家安妮·特雷莎·德·姬尔斯美嘉的作品《鼓声》,以不同于传统的舞蹈编排方式运用了对位法、黄金分割等科学的方法编排舞蹈,挑战舞者的精力、记忆力及耐力的极限,其舞蹈和动作并不强调情感,选用史蒂夫·赖克的极简音乐。感性的舞蹈遇上理性的编导,科学理性在感性的舞蹈创作中运用,使《鼓声》成为一部很纯粹的舞蹈作品。 The origin of dance can be traced back to the time when people could not find other ways to express their strong feelings. Using human body as the tool of expression, people embody their emotions and desires in dance. Different from traditional dance choreography, Belgian choreographer Anne Teresa De Keersmaeker’s work, Drumming, applies scientific methods, such as counterpoint and golden ratio, challenging the dancers’ limits of energy, memory, and endurance. The movements of the work do not emphasize emotional expressions. Accompanied by Steve Reich’s minimalist music, it has applied scientific rationality into the sensibility of dance creation, resulting in a pure dance work.Drumming utilizes timpani, xylophone, glockenspiel, whistle, and piccolo. Its rhythm, timbre, and sound are deeply influenced by the percussion of West Africa and Bali. As the music accumulates, changes, and repeats steadily and gradually, dance moves forward constantly, which gives an impression that the work has a strong sense of advancing forward and a relentless movement that drives the energy forward. The length of Drumming varies from 55 to 75 minutes, providing full-length developing performance of the work. In addition, it follows Steve Reich’s minimalist style and tries to derive the greatest possibility from the smallest material, which strongly supports the structure of the dance in a relatively independent relationship with the music and demonstrates Anne Teresa’s choreographic style.In early time, when Anne Teresa danced with Trisha Brown, she found a 'movement phrase' that could be developed into a variety of phrases. It made her realize that she should go back to dance classroom and work independently, so as to invent the unique method of composing the movement vocabulary. Later, she lined up her vocabulary and dance choreography based on geometry.Drumming is structured on the rigorous principles of golden ratio, sequence of numbers, and geometry, and utilizes the 'spiral' as the basic tool for choreography and the
作者 陈乃绮 CHEN Nai-qi
出处 《当代舞蹈艺术研究》 2017年第3期99-101,共3页 Contemporary Dance Research
关键词 安妮·特雷莎·德·姬尔斯美嘉 对位法 黄金分割比例 极简音乐 《鼓声》 纯舞蹈 Anne Teresa De Keersmaeker counterpoint golden ratio minimalist music Drumming pure dance
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