摘要
建立在对于浙江舞蹈史的多年研究以及《浙江舞蹈史》写作的基础之上,思考如何梳理长年的累积与感悟,尽力开掘历史的本貌,不仅注重田野调查与吸收学界的最新研究成果,也以自己独立的判断做出严谨、准确、自洽的结论。并呼吁加大地方舞蹈史的研究力度,以利中国舞蹈史学构建得更加坚实、更为宏大。
The study and writing of Zhejiang Dance History is to elucidate the historical appearance of Zhejiang dance culture and its development and laws in the social movement, based on the grand background of regional culture and Chinese culture, through the possession, study, and judgment of cultural relics and historical materials that are able to ref?lect historical facts. Dance culture features expressing emotions and feelings through human body and has been widely circulated within ceremonies, festivals, folks, and customs. Analyzed from this perspective, Zhejiang Dance History aims to explore and investigate the origin, compare the past with the present, make an analysis at the macro level, and conduct case studies at the same time.For a period of time, the main research method of scrutinizing the ancient culture is to search among the cultural relics, literature, scriptures, and off?icial histories. It is true that this is a very important way, but it is not the only way to look back and look over the cultural history, especially the history of dance culture. The carrier of dance is unique since it is the majority of the people who have managed to inherit dance. In word and deed, they make dance live and grow continuously, running through the history. Therefore, the author has discovered credible folk information as the supplement to the historical line during his f?ieldwork and interviews with the senior artists. Through the 'literature-cultural relics-f?ield work triple evidence,' the ancient, mysterious, and perplexed became the fresh and accessible, and the disordered, complicated, and repetitive became the organized and intelligible. As a result, they form the cultural history of Zhejiang dance.In Zhejiang Dance History, the author scrutinizes and rectif?ies a number of established views, for seeking the truth from facts is the pursuit of the almost all the late sages and for the scholars shall employ subjectivity and independent knowledge against the mainstream culture and stereotypes. The author focuses on
出处
《当代舞蹈艺术研究》
2017年第2期90-94,共5页
Contemporary Dance Research
关键词
浙江舞蹈史
方法论
地方舞蹈史
中国舞蹈史学
Zhejiang Dance History
methodology
local dance history
Chinese dance history
