摘要
明中叶散曲的复兴,并非如诸论家所言是康海、王九思等北派曲家在前,而是陈铎、王磐、唐寅等南派曲家在前,正是这些词场才子在成化、弘治年间的散曲创作最先促进了明中叶散曲的复兴。他们的散曲作品多属词场应歌之曲,内容以闺情与艳情为主,市井气息较浓,在很大程度上属于青楼文学。词场才子之曲之所以在成、弘时期的江南一带兴起,与时代思潮的变化和竞逐繁华奢靡的社会风气有密切关系。
The southern Sanquwriters of Chen Duo, Wang Pan, and Tang Yin, rather than the northern Sanqu writers of Kang Hai and Wang Jiusi are considered to make their pioneering contribution to the renaissance of Sanquin the middle of Ming Dynasty. The earliest writings by the southern Sanquwriters during the Chenghua and Hongzhi rulings are quite popular in Southern China for their stylistic features of love stories, pornography or erotic descriptions. It is assumed that all this has a lot to do with the cultural factors.
出处
《河北师范大学学报（哲学社会科学版）》
2003年第6期85-91,共7页
Journal of Hebei Normal University(Philosophy and Social Sciences)
基金
2002年国家社会科学基金项目"明清散曲研究"(批准号为02BZW031)的阶段性成果之一。
关键词
明散曲
复兴
词场才子
陈铎
王磐
唐寅
祝允明
Sanqu of Ming Dynasty
renaissance
famous Sanqu writers
Chen Duo
Wang Pan
Tang Yin
Zhu Yunming
