摘要
"贾岛现象"体现了一个时代末期大众诗人的创作心态,其创作趣尚集中体现为不染尘念的孤寂情怀和清新尖巧的艺术锤炼。这种创作趣尚影响了北宋初期的文学,但北宋初期的"晚唐体"却不等同于晚唐诗风。北宋初期的时代特征与晚唐有着质的区别,北宋初期的"晚唐体"作家的精神面貌也不是苦闷孤寂。不能把"晚唐体"简单地视为承袭晚唐诗风,它是唐诗向宋诗过渡的必然结果。
The phenomenon of Jia Dao revealed a common mood of writing of poets in the late days of a historical era. In those days, poets all focused their interest of writing in expressing their nonworldly solidary mood and employing their individualistic fresh and witty artistic polishing. This fashion of writing poetry did influence literature in the early North Song Dynasty, but the Late Tang Style in the prime of the dynasty differed from the poetic style in the late Tang Dynasty. This is because the historical characteristics in the early North Song Dynasty were essentially different from those in the late Tang Dynasty and because the mental attitutes of poets in the early North Song Dynasty who wrote in the Late Tang Style were no longer sorrowful and solidary. Thus, we cannot simply regard the Late Tang Style in the early Song days as indication of succeeding the poetic style in the late Tang days but as necessary results from the transition from Tang poetry to Song poetry.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2003年第6期32-37,共6页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
唐诗
贾岛
晚唐诗风
“晚唐体”
姚合
Tang poetry
Jia Dao
poetic style in the Late Tang Dynasty
the Late Tang Style
Yao He
