摘要
长期以来,由于人们自觉或不自觉的以西方"主客二分"的认识论思维模式来规范老庄道家存在论思想,从而得出其消极倒退的结论。其实,老庄的道家思想是一种迥异于西方认识论的生态存在论审美观。它依据"天人之际"、"冲气以和"的理论,从"道法自然"的基本观点出发,论述了"道"作为宇宙万物诞育、人类生存发展之本原,人与自然万物共源齐一以及"无为无欲"、"无用之用"、"可道常道"、"大美无言"等带有明显中国特色的理论范畴,主张一种无欲与不争的、超越普通功利与物欲的审美的态度。同时,老庄还论述了带有"生物链"思想的"天倪"观与自我修养的"心斋"、"坐忘"之道以及建立"至德之世"的生态社会理想。老庄的这些思想已经是具有比较严密体系的中国古代生态存在论审美理论形态,成为同当时生产与社会发展不完全平衡的理论高峰。
This paper attempts to discuss the aesthetic ideas of classic ecological existentialism in Taoism,its key concepts and the'world of supreme morality'as a model of a society.It is reasonable to believe that these ideas have been constituted a theoretical form with coherence and profoundness of the aesthetic idea of classic ecological existentialism and a theoretic peak in the context in which the imbalance between the development of production and the development of the society has emerged.
出处
《文史哲》
CSSCI
北大核心
2003年第6期5-11,共7页
Literature,History,and Philosophy
关键词
生态存在论
道法自然
冲气以和
万物齐一
天倪
坐忘
至德之世
ecological existentialism
natural as the model of Tao
the harmony by means of the interaction between Yin and Yang
everything as the same
natural interosculation among things
sitting immersing in emptiness
world of supreme morality
