摘要
在中国史学中,男性优伶大多呈现出一种政治化气质,而女性优伶则是一种演艺化印象。其实,这是一种本质主义论述方法。在实际历史状态中,男性优伶仍然时刻遭遇着压迫其退回女性化社会性别性格的社会势力,女性优伶也并非表明与政治无涉。这种史学策略,流露出一种"男尊女卑"的社会性别意识形态,包含着深刻的政治经济学思想意味。
In the Chinese history, the actors of Chinese traditional operas have a kind of political qualities while actresses have a kind of acting image. Indeed, this is demonstrated from the perspective of essentialism. In the real historical state, actors often suffer from the social forces that oppress them to have the sex personality of the feminized society and actresses have something to with politics. This historical strategy shows a kind of ideology of social sex with man being senior and woman being lowly in social rank and has profound thought of political economy.
出处
《新余高专学报》
2003年第4期7-10,共4页
Journal of XinYu College
关键词
男性优伶
政治化和女性化
女性优伶
演艺化和政治化
Actors
Political inclination and feminizing
Actresses
Acting and political inclination
