摘要
《山河故人》中风景的一大特色便是永不停息地流动,不论是河流、海洋、火车还是人群总是配合人物的处境与生活变迁,在贾樟柯的镜头下永远都呈现出流动的状态。不同于其他影视作品的是,导演选择了具有家乡山西以及澳大利亚地域特色的典型景象,并且这些出现于贾樟柯镜头下的风景,是被剥去了消费外壳,还原自然本真状态的富有生命力的流动性景观。以《山河故人》为代表,导演通过在电影中捕捉人物周围风景的流动性形态,赋予景象自我经验下的抒情性、生活观、时间性。
The greatest feature of sceneries in'Mountains May Depart'is never- ending flow,no matter whether it is a river,ocean,train or people which always cooperates with the character's situation and life. Under the lens of Jia Zhang- ke,these sceneries always present the flow form different from other films; the director chose Shanxi and Australia local typical scenes that had been stripped off the shell of consumption,and was natural and full of vitality. Taking an example of the' Mountains may depart',the director tries to present his comprehend to the lyricism,concept of life and the timeliness by capturing the scenery around the roles.
出处
《太原大学学报》
2016年第3期78-81,共4页
Journal of Taiyuan University
关键词
《山河故人》
风景
流动性
抒情
生存状态
时间性
'Mountains May Depart'
scenery
liquidity
lyricism
living condition
timeliness
