摘要
诸葛亮是《三国演义》中最富魅力的艺术形象。文中不但有大量直接描写诸葛亮的智慧神奇之处,而且也有意识地运用了影子艺术,以不直接写诸葛亮而又处处见"诸葛亮"的方式来渲染和凸显诸葛亮这个艺术典型。这不但无限延伸了诸葛亮的智慧,也让其如神人一般存在于作品中,使这个艺术形象接近完美,但这也加深了作品的悲剧色彩。
Zhuge Liang is one of the most attractive artistic figures in the The Romance of the Three Kingdoms,the author not only directly uses a large number of words to describe Zhuge Liang's wisdom and magical side,but also consciously uses a shadow arts,to make Zhuge Liang stand everywhere,shaping the art of the typical figures. It not only shows the infinite wisdom of Zhuge Liang,but aslo shows as God generally present in the works,and makes Zhuge Liang's image close to perfect,so that it also deepens the tragedy color of the works.
出处
《太原大学学报》
2016年第2期35-40,共6页
Journal of Taiyuan University
关键词
《三国演义》
诸葛亮
影子艺术
完美形象
悲剧
The Romance of the Three Kingdoms
Zhuge Liang
shadow arts
Perfect figure
tragedy
