摘要
金缮源自于中国的漆器工艺,并在日本产生且发扬光大,深受日本侘寂文化的影响。金缮工艺旨在用最简洁、自然的方式顺势而修,将残缺的器物化丑为美,恢复器物原有的形态与功能,并赋予其新的艺术表现力与精神内涵。
Jin Shan was originated from the lacquer craft in China.It was produced and carried forward in Japan, which was deeply influenced by the Wabi-sabi culture in Japan.Jin Shan craft aims to be repaired in the most concise and natural way,and to transform the damaged artifacts into beauty.It restores their original forms and functions,and endows them with new artistic expression and spiritual connotation.
作者
丁佳青
Ding Jiaqing(Shanghai Institute of Visual Arts,Shanghai,201620)
出处
《陶瓷研究》
2018年第5期64-66,共3页
Ceramic Studies
关键词
金缮
侘寂
残缺
审美
Jin Shan
Wabi-sabi
Incomplete
Aesthetic
