摘要
道浦母都子《无援的抒情》因为再现了'全共斗运动',反映了那个时代的日本年轻人的整体意识,因而受到好评,其本人也因此被称为'全共斗一代的歌人'。然而,道浦母都子的短歌不仅反映了社会意识,还反映了作为个体的人的孤独感以及自我追求。她的短歌因为真实地展现了自我存在,因此不仅被'全共斗'年代的日本人所支持,至今仍然为读者喜爱。
Michiuramotoko's“The Helpless Lyric”,described as“All-Campus Joint Struggle League”,reflects the whole consciousness of the young Japanese at that time.which was highly applanded.She was known as“the representative tanka poet of the era of all-campus joint struggle league”.However,Michiuramotoko's Tanka poems not only reflects the social consciousness but also reflects the loneliness and pursuit of self as individuals.A real exposure of self existence,her Tanka poems were not only welcome by the Japanese of the era of“All-Campus Joint Struggle League”,but continue to win favoritism among contemporary readers.
出处
《日语教育与日本学》
2017年第1期111-117,150,共8页
Japanese Language Education and Japanese Studies
基金
国家社科项目“日本现代短歌里的中国意象研究”(项目批准号:13BWW018)的阶段性成果
