摘要
杰克·凯鲁亚克创作的小说《在路上》刻画了三种类型的女性形象,基本可分为家庭天使类女性、妖女荡妇类女性以及新生代女性形象,从中我们能够看到作家的女性观矛盾的两面性,既有主体对女性的关爱与同情,同时又有着个人的保守与刻板。反映了作家仍然没有摆脱掉男权制社会的藩篱,对于女性的同情与关心是不彻底的,有意无意的把女性仍然看成了是男性想象、欲望以及恐惧的寄托载体。
In Jack Kerouac's novel On the Road,the writer depicts some different female images,which can be basically divided into three types: family angelic women,dissolute women and women of new generation. We can see the two sides of contradiction of the writer's view on women through these images. The two sides not only reflect the subject's love and sympathy for women,but also her own conservatism and rigidity. They also show that the writer hasn't yet gotten rid of the bonds of the patriarchal society,and that his sympathy and concern for women is not thorough,consciously or unconsciously regarding women as entrusting carriers of men's imagination,desire and fear.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2015年第2期110-111,共2页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
教育部人文社科规划项目:现代小说描写中的性别想象与现代认同(11YJA751017)
山西大同大学青年科学基金项目:角色定位视域下的语篇连贯研究(2013Q18)
