摘要
在 2 0世纪 2 0、 3 0年代中国文坛上 ,杨骚和白薇是一对卓有成就的情侣剧作家。他们的剧作有着惊人的相似。但由于他们的整个创作中潜藏着一股充满性别差异的强烈的情绪流 ,他们剧作的审美内涵呈现出迥异的特点。杨骚和白薇剧作的审美内涵的衍变 ,蕴含了一个重要的命题 ,给整个现代戏剧史乃至现代文学史提供了不可多得的“个案”。
In the world of letters between 1920s and 1930s,Yang Sao and Bai Wei w ere an outstanding couple of dramatists, who had striking similarity in their pl aywriting. However, as they held a kind of potential strong feeling of gender di stinction in their playwriting, the aesthetic connotation in respective dramas w as utterly different. The changes of the aesthetic connotation in the dramas of Yang Sao and Bai Wei imply an important subject, which provides the rare example s for the whole history of modern dramas even for the history of modern literatu re.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2003年第4期70-76,148,共8页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
杨骚
白薇
剧作
审美内涵
性别差异
dramatist Yang Sao
dramatist Bai Wei
playwriting
aest hetic connotation
gender distinction
