摘要
司空图的《二十四诗品》运用四言诗的形式,站在哲学、美学的高度,以形象、精练的诗化语言及中国式的哲学语言的融合,高度概括了中国古典诗歌艺术的意境范型和美学风格,具有极大的包容性和涵盖力。司空图的《二十四诗品》之所以耐读、耐思、耐诠——耐人寻味,关键在于他能自觉地将中国传统哲学尤其是老庄哲学引入并指导自己的诗论,从而使其《二十四诗品》具有了形而上的理论品格。
Based on philosophy and aesthetics,SI Kong-tu's Twenty-four Poetic Styles , which is in the form of four-word poem,epitomizes high the patterns of the artistic conception and aesthetic styles of Chinese classical poetry with a blend of succinct image and philosophical expression and has a comprehensive coverage and inclusion. The cause why SI Kong-tu's Twenty-four Poetic Styles is worth reading, thinking and interpreting is mainly that SI Kong-tu was able to introduce the philosophy of Lao-tzu and Chuang-tzu into his discussion on poetry and this makes his Twenty-four Poetic Styles possess the theoretical quality and metaphysical style.
出处
《武汉理工大学学报（社会科学版）》
2003年第3期308-313,共6页
Journal of Wuhan University of Technology:Social Sciences Edition
关键词
司空图
《二十四诗品》
老庄哲学
内在联系
SI Kong-tu
Twenty-four Poetic Styles
the philosophy of Lao-tzu and Chuang-tzu
essential relationship
